4.4.2 MGS102 Module Content: Weeks 4, 5 and 6

MGS102 Weeks 4, 5 and 6: Part 2

MGS102 Contents
MGS102 Weeks 4, 5 and 6: Part 1 | MGS102 Weeks 4, 5 and 6: Part 3
MGS102 Weeks 4, 5 and 6: Part 4 | MGS102 Weeks 4, 5 and 6: Part 5

The Music of the period

Black vocal music (soloists and close-harmony ensembles)
The Manhattan Brothers:

At first, the Manhattans merely copied the songs and styles of several popular Afro-American close harmony groups (most notably the Mills Brothers and the Inkspots whose recordings were well known in South Africa), often translating the original English lyrics into an African vernacular... the quartet later began developing material which was more African and 'Jikela Emaweni', one of their biggest hits, is a perfect example of the process. The song's first melodic strain consists of an exact - albeit... harmonized - rendition of an ancient Xhosa melody... The quartet then composed a new second melodic line, also adding lyrics that contributed to the spirit of the original [notes with CDZAC61].

Stapleton, C. & C. May. 1989 [1987]. African All Stars: The Pop Music of a Continent. London: Paladin.

AAS, p. 192-196.
Coplan, D. 1985. In Township Tonight! South Africa's Black City Music and Theatre. Johannesburg: Ravan Press. ITT, p. 135.
Audio Data Track 7 (Manhattan Brothers, "Jikela Emaweni", 22 December, 1954) from Marabi to Disco, African Classics, Gallo CDZAC61. [II,1]
Dolly Rathebe:

Sophiatown-born Dolly Rathebe was plucked from obscurity for the leading role in 'Jim comes to Jo'burg', South Africa's first African feature film, and by the time she featured in a second, even more successful film, 'The Magic Garden', in 1951, Dolly had blossomed into the country's first multi-talented African star [notes with CDZAC61].

Coplan, D. 1985. In Township Tonight! South Africa's Black City Music and Theatre. Johannesburg: Ravan Press. ITT, p. 146, 163.
Audio Data Track 6 (Dolly Rathebe and the African Inkspots, "Unomeva", 18 March, 1954) from Marabi to Disco, African Classics, Gallo CDZAC61. [II,2]
Dorothy Masuka:

Dorothy Masuka was born in Zimbabwe and arrived in Johannesburg almost by chance as a schoolgirl. [In the] 1950s and the early '60s, before being forced out of South Africa on political grounds, she enjoyed a sensational career as an artist and media personality [notes with CDZAC61].

Coplan, D. 1985. In Township Tonight! South Africa's Black City Music and Theatre. Johannesburg: Ravan Press. ITT, p. 146.

Audio Data

Track 9 (Dorothy Masuka, "Ufikizolo", 1956) from Marabi to Disco, African Classics, Gallo CDZAC61. [II,3]
Miriam Makeba and the Skylarks:

Makeba was the last vocal star to come out of the great era of the 1950s and in some ways was also the most significant. After a stint as a featured vocalist with the Manhattan Brothers, Miriam formed the Skylarks, her own female close harmony vocal group, then in 1959 toured with 'King Kong' as the show's female lead. Immediately after this... Miriam left South Africa to become the first international star from the African continent and an early protagonist in the fight against apartheid [notes with CDZAC61]

Stapleton, C. & C. May. 1989 [1987]. African All Stars: The Pop Music of a Continent. London: Paladin.

AAS, p. 196-197.
Coplan, D. 1985. In Township Tonight! South Africa's Black City Music and Theatre. Johannesburg: Ravan Press. ITT, p. 167, 175.

Audio Data

Track 7 (Miriam Makeba and the Skylarks, "Darlie Kea Lemang", 20 October 1956) from Township Swing Jazz, vol. 1, African Classics, Gallo CDZAC53. [II,4]
Kwela (Pennywhistle Jive)
The instrument and the term kwela;
Coplan, D. 1985. In Township Tonight! South Africa's Black City Music and Theatre. Johannesburg: Ravan Press. ITT, p. 156-158.

Audio Data

Track 10 (Solven Whistlers with Ben Nkosi and Dan Hill, "Something New in Africa", June 1958) from Marabi to Disco, African Classics, Gallo CDZAC61. [II,5]
mass-media distribution: records, film; pennywhistle virtuosos.

Stapleton, C. & C. May. 1989 [1987]. African All Stars: The Pop Music of a Continent. London: Paladin.

AAS, p. 188.

Anderson, M. 1981. Music in the Mix: The Story of South African Popular Music. Johannesburg: Ravan Press.

MitM, p. 28-29.
Coplan, D. 1985. In Township Tonight! South Africa's Black City Music and Theatre. Johannesburg: Ravan Press. ITT, p. 157-160.

Audio Data

Track 11 (Spokes Mashiyane, "Jika Spokes") from King Kwela, African Classics, Gallo CDZAC50. [II,6]

Audio Data

Track 12 (Miriam Makeba and the Skylarks with Spokes Mashiyane, "Uile Ngoan'a Batho", 14 August 1959) from Marabi to Disco, African Classics, Gallo CDZAC61. [II,7]

Audio Data

Track 11 (Kippie Moeketsi and the Marabi Kings, "Goli Kwela", 1958) from Marabi to Disco, African Classics, Gallo CDZAC61. [II,8]

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MGS102 Weeks 4, 5 and 6: Part 1 | MGS102 Weeks 4, 5 and 6: Part 3
MGS102 Weeks 4, 5 and 6: Part 4 | MGS102 Weeks 4, 5 and 6: Part 5